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Hollywood Connection Archives - Sparkles Lund

Mar 08 2018
2

Hollywood Connection Burbank

By | Competition, Convention | 2 Comments

Hollywood ConnectionHollywood Connection in Burbank was fantastic this year. It was the first time that Dellos Performing Arts Center (DPAC) has returned to HC since 2014. I am pretty sure that Hollywood Connection was the first competition that I ever went to. Hollywood Connection was the convention that awarded me my first National Dancer of the Year Award in 2012, an award they call Icon of the Year.

Hollywood Connection is also owned in part by my first talent agency, MTA. They were my first agents, and sent me out on my first auditions as a 10 year old, launching my professional dance career.

In so many ways, going back to Hollywood Connection was like a family reunion. As Icon of the Year, I spent a year touring with them as their DOTY. I can gratefully say that those many weekends of working with Executive Director Kimberly Rhinelander, Executive Director and Agent Bill Bohl, Jazz teacher Lindsley Allen, Lyrical Mitchel Federal, Jazz Funk Brooklyn Jai, Musical Theater Bonnie Story, Tap Jason Kalish, and Hip Hop Gigi Torres shaped by love of dance and introduced me to the industry as a professional dancer. This core group was teaching there back in 2012-2014 when our studio first introduced me to them. I am so thankful for the encouragement and opportunity to do what I love.

This year was an entirely new set of firsts for me. DPAC has allowed me teach 5 classes a week at the studio. This led to me choreographing a hip-hop solo for a 12 year old dancer, and assistant choreographer to our production hip-hop dance. Watching your choreography on stage for the first time is a completely different experience. I had no clue how the judges would react to the dancer I helped train do perform the choreography that I created. It worked out great! They loved it and she won!

On a personal level, I accomplished one of my goals for this year as a dancer. If you know my mom and dad or my mentor Liz Imperio, they are into strategic planning and goal setting. One of my goals for the year is to get a double platinum or Titanium score (perfect or nearly perfect score). It is the highest award that the judges give for dances. I am happy to say that five of my dances were given Titanium scores at Hollywood Connection. I was overwhelmed.

As a 15 year old dancer, I am now one of the youngest of the Producer (Senior) group – 14-19 year old dancers. I did not expect that I would be good enough to compete with older dancers who have had many more years of training. I went back and looked at a post I wrote in 2014 when I attended Hollywood Connection as an 11 year old. Like this year, I had just stepped up into a new age group then too (guest star, 11-13), as an 11 year old and was intimidated by the awesome dance of the 13 year olds. That year, my friend Danielle Esposito came in first and I got a second.

My contemporary solo, choreographed by Cat Cogliandro was the highest scoring senior solo of the weekend. My duo partner and long time friend Trevor Quezada was awarded the highest overall scoring solo. Trevor graduates this year, and has been accepted to some great dance programs for college. I am glad he won. This is our last season together, and I want him to go out on top!

Trevor and I choreographed our duo together. We put the piece on stage as an exhibition dance at Jackie Sleight’s LA Dance Magic. We were not scored at LADM, but were able to get the judges notes and make changes to the dance. As a result of great feedback and hard work, our duo was the highest scoring dance of the weekend at Hollywood Connection. Sharing that moment with Trevor was special. It is a celebration of 8 years dancing together. Our duo piece will live in my memory forever, and I am excited to tour with it this year.

Whenever I write something like this, it makes me think about how much so many people have supported me as a dancer, my parents, DPAC, countless teachers, mentors, choreographers, Capezio, my manager Nelson Diaz, and my agents at MSA and BBR. Love you all so much – and thank you again Hollywood Connection for a great weekend in Burbank.

Jul 07 2016
3
Robert Schultz Flash Mob America

Flash Mob America Hits Record With Robert Schultz Choreography

By | Dance, Friends, Work | No Comments

Los Angeles, CA July 7th, 2016 – Flash Mob America is the #1 booking Flash Mob Company in the world. I guess that makes for a good name, right? What you may not know is that the choreography genius behind Flash Mob America is Los Angeles choreographer Robert Schultz.

Robert Schultz has choreographed over 200 flash mobs for Flash Mob America during the past 6 years, making Shultz one of the most productive and successful flash mob choreographers and directors in the world. Recently, a piece choreographed by Schultz topped over 1 Million views on You Tube! You must watch it. But grab a tissue. You cannot possibly hold back the tears of joy as you see the story unfold

The Flash Mob event was to celebrate the anniversary and vow renewal for Stacey and Rick who had been married for 30 years. For the flash mob, Rick hired Flash Mob America, a camera crew, and threw a party on the rooftop to surprise Stacey. All Stacey knew was that Rick was taking her out for a romantic evening. Rob Schultz made the event amazing with the creativity of having hired dancers and street vendors subtly hand her roses as she walked down the street to meet Rick at the restaurant. As she turned the corner toward the restaurant, a group of family, friends, and professionals break into a huge flash mob for her.

At the end of the dance, everyone points up to the roof top of the building where hundreds more family and friends are looking down, waiving, and welcoming Stacey to her special day made possible by Rick!

Schultz got started as a flash mob choreographer through the help of his long time friend and fellow choreographer, Ms. Lisette Bustamante. Lisette was hired by Flash Mob America to do a piece and she invited Robert Schultz to help. Whenever Bustamante was not available, Schultz began to work directly with Flash Mob America to do pieces.

The most memorable flash mob that Schultz has choreographed was for the ABC hit TV show, Modern Family. Season 2, Episode 8 is called Manny Get Your Gun. In this episode, Cam says Mitch is not spontaneous enough. So Mitch organizes a flash mob at the mall to impress Cam. The flash mob was epic, and in true Modern Family fashion, Cam gets upset because he was not invited to dance in the Flash Mob.

Schultz also choreographed a piece for WAV Group clients, CoreLogic. They had the crazy break out into dance during the peek of the National Association of REALTORS® trade show in San Diego. It was so funny. All of these REALTOR types walking around and suddenly surprised by mob chaos. To Join a Flash Mob, visit http://www.flashmobamerica.com//event-registration.  Follow Flash Mob America @FlashMobAmerica (Instagram & Twitter)

About Robert Schultz

I have known Robert Schultz for years. He taught at my first convention when I was 8, Hollywood Connection. At age 9, I qualified at regionals for Dancer of the Year, called Icon of the Year which I was fortunate enough to win. Schultz choreographed the Icon dance that was a tribute to movies. Schultz cast me as the lead in Afro-Circus from Madagascar and I loved the goofy wig! Aside from private training over the past few years, I have begun to work with Robert Schultz on some of my You Tube videos. Perhaps the most memorable is my duet featuring my Grandma Anne and fellow dancer Trevor Quezada to When We Were Young, music by Adele

Nov 13 2015
1

How to Assist at a Dance Convention

By | Competition, Convention | No Comments

I am in an airport heading to the first Hollywood Vibe in St. Louis. I am so excited to see everyone again and begin the tour as Dancer of the Year. My dad and I had a conversation in the United Club lounge in San Francisco about the differences between this year and the last time I won dancer of the year. It inspired me to write this post because there is no manual for assisting or the other things that you do as a company member or DOTY for a convention. In some small way, you may want to use this as a guide.

Icon of the yearFirst of all, when I won Icon of the Year for Hollywood Connection, I was not really going for it. It was my second year on the competition team and my first year doing solos. My solo, Whatcha Want placed first place in San Jose that year and I won regional Icon of the Year runner up. I really had no expectation to win Dancer of the Year. I just went to Nationals and worked my but off and did the best job I could. I nearly peed my pants at the awards banquet when they called my name. It was a total shock. I was 9 years old at the time, and I toured with Hollywood Connection the next year and assisted in the junior room on stage in about 5 or 6 cities

That same year, I won regional Dancer of the Year for Hollywood Vibe and was invited to join Team Hollywood Vibe. Team Hollywood vibe members assist teachers. It also qualified me for Dancer of the Year. Last year at Nationals, after touring 4 or 5 cities with team Hollywood Vibe, I was fortunate enough to be selected as Dancer of the Year. This was totally different than Hollywood Connection. I wanted it. I knew that I would need to work really hard at home and at convention to elevate my skills to be a contender. It was my goal. Competition was fierce and I fought my emotions and doubt with courage and dedication. In truth, becoming a finalist would have been good enough. I don’t really know how they pick a winner when it is down to a few dancers. I can tell you that the other girls definitely were as good if not better than me in so many ways. It was a toss-up and I am grateful that I got it.

Convention as Dancer of the Year is a totally different experience. I do not compete, but I run my solo in each city. I will also be in the team Hollywood Vibe company dances. All of the company members are sent a video of the dance a week in advance and we learn it on our own. This is a really important skill to pick up. As a professional dancer, I am often sent video footage of a dance to learn in advance of rehearsal. We need to have the skills to learn a dance so that rehearsal is more about cleaning than teaching.

My dad asked me about the pressure I feel as DOTY. He wanted to know if it is harder to dance on stage in front of everyone versus being on the floor learning. The answer is “it depends on the choreographer,” and “it depends on what you are doing.” When you are learning the 8 counts, it is important that you focus on the movement and the timing so the dancers on the floor have a clear understanding of the choreography, especially if the choreographer doesn’t dance it. You need to rely on your body for technique. I try to go more full out when the dance is being taught, and less full out when running groups. Here is the idea. When the dance is being taught, they should be looking at the teacher and assistant on stage going full out. That is how you learn. But when running groups, the class should be going full out and we are there to give them the queues when they need it. I go at about 70 or 80 percent during groups and focus on accenting the details of the dance.

If you are assisting for the first time, feel free to DM me on Instagram with questions. I wish I would had a guide my first time. I was scared and uncertain and it would have helped to learn from someone that has been there before.

May 02 2015
0

I Performed on The Voice Monday

By | Auditions, Work | One Comment

Sparkles Lund on The VoiceLike any other middle school kid, I got up Thursday morning and went to school. We are in the middle of state testing. At 1 p.m. my world took and unexpected turn and I was pulled out of class to head to Los Angeles for an audition. There was very little information other than it was a SAG job, small audition, and those two little words “The Voice!” After the audition, I went to Millenium Dance Complex and took a great class with Nick Demoura. My wonderful agent Shayna Brouillard called later that night to tell me that I booked it! It was late and I was tired, but the excitement was overwhelming.

I was not able to go to school on Friday because we had rehearsal. We met at Center Staging, which is a spectacular place. That night I met the amazing Hi-Hat – Grammy Award winning choreographer for people like Justin Bieber, Shakira, Rihanna, Willow Smith, Big Time Rush, Ke$ha, Selena Gomez, Missy Elliott, and my favorite – the Kia Motors commercial with the dancing “Hamstars” …..you get the picture. She’s got skills, and the opportunity to work for such a great choreographer is an honor. Here’s a twist. I also sang backup in front of a live audience with 14 Million TV viewers! This video is from the last time I sang in front of a live audience when I was 4. I hope I did a better job!

Here was my schedule for Saturday

11am – Call Time

11:30-11:50 – Rehearsal on Stage 6

11:50-12noon – Walk to Stage 12

12-1p – Rehearse on Stage 12

1-1:15 – Go to Suite F

1:15-3:15p – School (Suite F)

3:15-3:45p – Meal (Suite F)

3:45-4p – Go to Rehearsal Hall

4p-5:30p – Wardrobe Fittings (Rehearsal Hall)

5:30-6p – R&R

6p-7p – Pre Records (Suite G/H)

Sunday was a day off – well sort of. I had a meeting with my friend and choreographer Brooklyn Jai and Alix Garza. Sunday night I had an audition to be a dancer for the Los Angeles Sparks professional basketball team – they call the group SparKids. A lot of my friends are on the team – so it should be a lot of fun.

Monday Schedule

11:15-12:15 Dress Rehearsal

12:30-1:30 School in Conference Room

1:30-2:00 Meal in Conference Room

2:00-3:00 R and R in Conference Room

3:00-3:15 Walk to Stage 6

3:15-4:00 Team Hat rehearses with the kids on Stage 6

4:00-4:45 Glam touch ups

5 PM Live Show! 14 Million Viewers!

I was very excited for the show and glad that I got to work with my friend and fellow #immaBEAST and #lilBEAST Sean Lew. I have known Sean since 2009 when we were both Minis and we met at Hollywood Connection. He is amazing. Subscribe to his YouTube channel if you don’t already https://www.youtube.com/user/SarahSerrisSean

I cannot thank my parents and everyone enough who has helped to train me to prepare for these amazing opportunities.

Here is the video – I come in at the 2 Min mark right behind Hannah

Feb 23 2015
1

Try Try Again

By | Competition, School | One Comment

firstplace hollywood connectionWhen I was in 5th grade, I had a PE teacher who shall not be named. From 1st grade to 6th grade, my school did the Presidential Fitness test, and I always go the highest award. Dance strengthens your whole body which helped me accomplish this level of fitness. Funny story: one time I forgot my running shoes, so I ran the mile in my Uggs, and still managed to set the school record.

Have you ever had a teacher that just doesn’t understand you? I had one of those in 5th grade. If you know me, you understand that I’m a year ahead in school, and that I’m fun sized. Translation: short. I try to make up for my vertical struggles with a strong dose of what my grandma calls tenacity. As you can imagine, my physique is not well suited for volleyball. I tried my hardest, but I did not have enough strength to serve the volleyball over the net. Because of that, I got the only B+ in my entire life. Not to worry, I made up for it and finished the year with an A.

Although, I’ll never forgive that teacher for the way he treated me. I wonder if he treats handicapped people the same way? Clearly I am not handicapped in the traditional way, but certain sports that require certain physical attributes like height handicap me. I guess that I though that the teacher would take that into consideration. Oh well. Try, try again.

This year, I’ve been doing great in PE, but was really stressed out about the volleyball unit based upon my earlier experience. I dedicated myself to working as hard as I possibly could. I still cannot muster the strength to serve the ball over the net, but I made up for it in other ways and kept and A+ in the class.

I am most proud of this part. Our teacher gives an award called PE’s Best every unit. The award recognizes kids that are working really hard in PE. This year, I’m very proud to say that I was given that award during the volleyball unit! Now I get a new t-shirt to wear in PE. Yay! The moral of the story is if at first you don’t succeed, try, try again. And, expect that from time to time, you will be judged unfairly. Just accept it , and move on.

This weekend, our DPAC dance team competed at Hollywood Connection. We did really well, but there were a few dances that did not score has high as I would have expected. I love my DPAC team, and I am sure that everyone will be dedicated to working hard to reach our potential. The important part is that we shake off the under-scored dances. There is always room for improvement.

I did muster a 1st Place Platinum in my solo, Diamonds – choreographed by Jill Clark. We had a bunch of first place scores in groups. Mama – our lyrical choreographed by Mrs. Tahirih Ellison. Shout out to Trevor Quesada who scored Titanium in his solo and the boys small group hip-hop that also scored Titanium. We can do this!

It was great to see my Hollywood Connection family again. The faculty is absolutely amazing. They gave me my break as a professional dancer and I will always be grateful for their continued support. I had to leave for a Meghan Trainor audition on Saturday morning and missed a few classes. They were really accommodating, #blessed.

Aug 09 2014
1

Chonique Sneed Releases New Single LET IT GO

By | Dance, Friends, Stuff I Like | No Comments

Lisette Bustamante and Chonique SneedIf you are reading my blog, you are probably a dancer, and you probably know Chonique Sneed. She is one of my favorite teachers and choreographers. She was born in Hollywood and started dancing at the age of 8 – which is about the time that I started to take dancing seriously. She is an adult now, and tours the nation with Hollywood Connection on the faculty. She and choreographer, Lisette Bustamonte, also with Hollywood Connection, mentor a group of teen dancers each year to grow in character and confidence. The program is called Creating Opportunities or, Creating Opps for short. From them I have learned that there is a difference between dancing and being a dancer. Dancers are strong, powerful people who are caring and aspire to be the best they can be in everything they can do.

Chonique has choreographed for artists like Missy Elliot, Christina Milian, Britney Spears, Pink, Jennifer Lopez, V Factory, Diddy and more. She is also on the faculty of Monsters of Hip Hop (hopefully #lilBEASTS will go to that).

Join me in celebrating the release of her hit single – Let It Go! ***caution – there are a few words in the song that are not totally rated G **** but it is not that bad – you may want your parents to listen first.

I tried to embed the code from SoundCloud – but it does not seem to be working (someone please help that reads code). For now – just click this link to Chonique’s song on SoundCloud. Please share! Everyone needs friends giving them a little boost!

[soundcloud url=”https://api.soundcloud.com/tracks/162289636″ params=”auto_play=true&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”300″ iframe=”true” /]

 

Feb 24 2014
1
Hollywood Connection

Hollywood Connection 2014

By | Competition, Convention, Dance, Friends | One Comment

The night before going to Hollywood Connection I was very nervous and I had a hard time getting to sleep. In 2012 I was selected as their Icon Dancer of the Year and I assisted the teachers at a number of conventions last year. Hollywood Connection was my first competition in 2011, the first time I did a solo in 2012, and so many other firsts for me as a dancer. Bill Bohl also gave me my start as a professional dancer by representing me through Movement Talent Agency. Moreover, the teachers at Hollywood Connection have helped me grow as a dancer – Brooklyn Jai, Chonique Sneed, Jason Kalish, Lindsley Allen, Mitchel Federan, Robert Schultz, and Bonnie Story. I love them all and I feel so much support from them. They teach a lot more than dance.

This year I moved up in age groups to Guest Stars – Teens age 11 to 13. It is like starting all over again. In Irvine, CA you compete against many of the best dancers in the Los Angles area from the top studios and there are lots of professional dancers. INTIMIDATING! The 13 year olds are so good.

DPAC decided only to bring solos to this competition and convention. I have three solos this year – Jazz, Hip Hop, and Contemporary. I decided to perform Krazy n’ a Box, my Hip Hop solo choreographed by Brooklyn Jai, and Cosmic Love choreographed by Mitchel Federan. This is the first time they have seen me compete with their solos. I did my best. I am so thrilled to have scored Platinum for both dances and second overall in each category. Out of the 103 acts, there were about 10 platinums (DPAC got 4) and my friend Danielle Esposito got the only Titanium. Her choreographer is Jill Clark who also choreographed my jazz dance, Bees Knees (think Gatsby). At the wrap party, I was awarded Icon runner up for the event and qualified to compete for Icon of the Year – which is their version of National Champion for the 11 to 13 year old age group. I also was invited to participate in a music video directed by Bonnie Story( High School Musical). I was featured in last year’s video. http://www.youtube.com/watch?v=l_YDm_TpoW4

I am super happy for all of the DPAC dancers. We all faced super tough competition but we took the top dancer award in Open and Contemporary for my age group. That was pretty exciting. So happy for Allie Gilson who crushed the Open category and Trevor Quezada who won contemporary.

Last night I performed in a show with Jay Pugh of RUN DMC at the Celebrity Centre on the Church of Scientology campus in LA. They asked me to perform Krazy n’ a Box and a group piece called Tears of an Angel. DPAC brought the house down! It was fun.

So sad that my Grandma Stella and Aunt Shelia (yes, its spelled that way) had to go back home today. I miss them already. Looking forward to Pulse next weekend in Santa Clara! I am entering two solos into the preliminary showcase hoping to get selected to the Showcase. Wish me luck!

I hope you don’t mind the ads. They help me earn money to pay for dance. My dad says I get paid more when you click them. Anything that you can do to get more people to the site would be much appreciated. If you like one of these posts, please share it on Facebook and Twitter to your friends. It helps.

Sep 13 2013
1

The New Season

By | Competition, Convention, Dance, Travel | No Comments

I am very excited for the new season of dance competition! There are a bunch of new dancers coming in that have made the studio more lively and fun. I am very grateful for the five group dances that I have been chosen for.

Group Dances:

I really wanted to focus on more small group numbers this year to improve that area of my dancing. I think that I have everyone right in each dance, but I am going from memory and we have only rehearsed once, so I could have missed some people or included some people by accident….SORRY! Love ya!

  • Jr. Small Lyrical – Tears of an Angel
    • Choreography by Keara Blake
    • Dancers – JuJu, Ashley, Anna, Maya, Mocha, Taylor, and me.
  • Jr. Small Jazz – Proud Mary
    • Choreography by Tahirih Ellison
    • Dancers – Larkin, JuJu, Trinity, Mocha, me
  • Jr. Small Hip Hop – (no name yet)
    • Choreography by Jillian Clark and Jordan Neil
    • Dancers – Sidney, Mocha, Trinity, Mariah, Levi (Jr), and me
  • Jr. Small Open – Numb
    • Choreography by Katie Scofield
    • Dancers – Mariah, Mocha, Trinity, Anna, Clair, Larkin, Maya and me.
  • Hip Hop Production – (no name yet)
    • Choreography by Dylan Tarrant, Jillian Clark, and Re’Sean Pates
    • Dancers – Everyone.

My first year in competition, I only did group dances. My second year, I did one solo that qualified for national champion; so I had to have another solo for regular competition. Last year, I did the same thing. This year, I have three solos ready to go, and may add a fourth if I can get the three clean enough.

Solos

  • Jazz – The Bees Knees
    • Choreography by Jillian Clark
  • Hip Hop – Krazi ‘n a Box
    • Choreography by Brooklyn Jai
  • Lyrical – Titanium
    • Choreography by Mitchel Federan and Keara Blake (cleaner)
  • Surprise – TBD if I can master the three above

My parents and I tried to lay out the schedule through February to see what competitons we will be attending. Our studio does three required competitions, two optional competitions and one national finals. To be in the dance company, it is also required that you attend  competition rehearsals one weekend every month. As a result, there are only a few more open weekends that I have available for attending other conventions and competitions on my own. I also have the chaos of auditions and jobs to juggle along with school. I am not sure if these dates will all work out, but I have published the schedule that we have planned through February. Click on the Dance Calendar in the top menu bar to see where we will be. I hope to see you somewhere! Until Next time….

Toodaloooooooo!!!!

Sparkles.

Feb 05 2013
0

Third Place Is Still Winning

By | Dance | No Comments

I spent last weekend in Burbank, CA attending the iHollywood Dance competition and convention. Obviously when you go to compete, you always want to do your best. What you learn as an athlete in an individual sport is that you can only do your best, and you will not win every time. Think about the worlds best race car drivers, golfers, gymnasts, and tennis players. Even at the highest level in their sport, it is hard to be the best every time.

We went to LA thinking about Mr. D, who was in an awful car accident. He broke his neck and they were doing emergency surgery to save his life. We had no idea what was going to happen. Just before we started competing, we learned that he was fine and the doctors were successful. Our prayers were answered.

With lifted spirits, I hit the stage for Sparkly Money, then half way through – the music stopped and the lights went out. I did my best to stay in character. After I got off stage, they put me back on, and I had to wait more than a minute before my music started….. very stressful. I did my best once again, and the music and lights went out once again. I received the “Girl on Fire” award and came in first in the category for my age group.

Watcha Need was great. The number placed first in the Jazz category. The score was good enough to place Third Overall for the competition. Here is a video that I put together to share the story of Hollywood Connection in Santa Clara, and iHollywood Dance in Burbank. Hope you enjoy it. Share with friends.

Jan 01 2013
1

Happy New Year 2013

By | Uncategorized | No Comments

2013

Happy New Year everybody! As the year has been coming to an end I have been thinking about all the great things that happened to me in the previous year. Lets look back and appreciate the amazing events from last year. First of all, Hollywood Connection ICON OF THE YEAR for crying out loud! I guess that pretty much means I’m dancer of the year and that sounds like a pretty big deal, right? Secondly, don’t forget about Johns Hopkins CTY (see “Johns Hopkins Here I Come!”). And last but not least, we can’t forget this one…I’m a fifth grader now! For me, that’s pretty awesome. But to get to the point 2012 was a great year.

Aug 09 2012
1

Hollywood Connection Icon of the Year

By | Dance | One Comment

Hollywood ConnectionA few weeks ago at Hollywood Connection Nationals I won……. ICON OF THE YEAR!!!!!!!!!!!!!!!!! Hollywood Connection gives out the award based on classes, sportsmanship, passion and your solo. I wasn’t sure but, when Robert Schultz gave me the rainbow afro in the ICON group dance, I thought it was a hint that I was at least getting close to being the winner.

It felt so good when we were at the HC (Hollywood Connection) banquet when they were announcing the winners of ICON and they called my name. Not to mention it really inspired me when I was taking pictures with all the teachers from HC such as; Brandon Henschel, Chonique Sneed, Brooklyn Jai, Brooke Lipton, Lisette Bustamante, Jason Kalish, Katie Miller, Lindsley Allen, last but not least the owners Bill Bohl and Kimberly Lyon.

It was a great experience to win ICON OF THE YEAR… I hope I will do as well next year…
Thank you for reading my blog. ~Sparkles.